Practical Uses of HSS

HSS or High Speed Sync can be used for many things including and the most common use, overpowering the sun. 

However, I find it particularly useful for other purposes, such as creating a completely black or nearly black background.

The image above was taken indoors with an ISO of 1/100 and a shutter speed of 1/4000. This combination was sufficient to achieve a nearly black background. 

Be aware that if your flash is not powerful enough to handle such a high shutter speed, you may notice some banding in the darker areas of the picture. 

What is the most difficult shot you’ve taken?

Good question. In general, birds in flight are difficult—especially small birds that tend to fly very fast. Swallows are particularly challenging, so that would be my first choice.

Another difficult shot is that of a flying dragonfly.

Of course, hummingbirds should be included on this list. Their erratic flight patterns make them very hard to capture. You have to wait until they hover near a flower.

 

Flash tutorial for wedding photography

There are many flash tutorials on YouTube, and it's hard to pick one that will cover all possible scenarios. This one is one of the best I have found. 

With flash photography, the most crucial aspect is not to be apprehensive about using your flash and experimenting. There are no absolute right or wrong choices in this field; it all boils down to how you envision your photographs to appear. 

Keep your turnaround time short or...

Every day you learn something new. Here’s a story I read on PetaPixel: A photographer is hired to shoot a wedding. She is paid before the wedding upon the signing of a contract, where both parties agree to this condition. In the contract, the photographer specifies that the turnaround time is three months, keep in mind that for weddings this amount of time is not unusual. She delivers a preview of about 100–200 photos and continues working on the final product. However, one month after the wedding, the bride files for divorce and asks the photographer for a refund on the basis that he no longer needs the final product.

 

On one hand, you have the photographer’s work—eight hours of shooting and delivering the previews. On the other hand, you have a bride who no longer wants anything to do with the wedding or to keep photos that will remind her of it.

I do not know if in the contract the photographer mentioned anything about refunds. I for example have these two points included:

- Do you require a deposit?

Yes. A non-refundable deposit is required to reserve your date and time. The remaining balance is due on or before the day of the shoot. Payments can be done via Zelle or PayPal. 
 

-What if I’m not satisfied with my photos?

My goal is always your satisfaction. While refunds aren’t possible after a session, I will gladly work with you to make adjustments through editing—or even schedule a reshoot when appropriate. 

But this scenario is different. It’s not that the bride is dissatisfied with the final product—which hasn’t even been delivered yet. Rather, it’s a case of someone saying they don’t want the final product at all.

What is my opinion in this case?

In this case, the bride is not entitled to a refund.

Here’s why, in neutral and straightforward terms:

• The contract was fulfilled on the photographer’s side. The agreement stated payment upfront, a three-month turnaround, and the photographer had already worked the wedding day and delivered previews.

• The product/service was provided. The photographer spent time, effort, and resources covering the event. The fact that the marriage ended shortly after does not undo the fact that the service was performed.

• Client’s change of circumstances is not the photographer’s responsibility. A divorce (or simply not wanting the photos anymore) is unrelated to whether the photographer upheld her part of the agreement.

So unless the contract explicitly includes a clause for refunds in the event of a divorce or change of mind (which is highly unlikely), the photographer is within her rights to keep the payment.

 

 

High Speed Sync (HSS)

High-Speed Sync (HSS) is a feature found in modern speedlights that allows you to use flash with shutter speeds faster than 1/250, which is typically the maximum sync speed of older flashes. This video demonstrates why this feature can be so useful.

I also like this other tutorial which compares HSS vs using ND filters.

And using HSS

Last weekend

Over the weekend, I went shooting at my local park. I’m not sure what’s going on, but there seem to be far fewer birds than usual for this time of year.

I did spot a pair of great egrets perched on the pier and had the chance to capture a few shots of them, beautifully backlit by the low sun on the horizon.

I also got some good pictures, at least I like them, of gators. I love taking pictures of them. They are like Dinosaurs. 

The skin of an alligator is like living armor, built of rugged, textured scales that shine with a prehistoric beauty. It tells the story of survival through millions of years. No two alligators share the exact same skin pattern. The dark ridges, speckled spots, and subtle hues of green, gray, and black make their skin as unique as a fingerprint. When sunlight hits their backs, the rough texture almost glimmers, giving a strange elegance to an otherwise fierce predator. Their skin symbolizes resilience — both tough and beautiful, a perfect harmony of nature’s artistry and functionality. Beyond aesthetics, the skin is perfectly adapted to camouflage in Florida’s swamps and marshes, a reminder of how beauty in nature often serves a purpose.

Why I Sometimes Use Flash in Photography

His eyes look alive!

Many people worry that flash makes photos look harsh or unnatural. In reality, when used properly, flash is a tool that helps me enhance the natural light, not overpower it.

• Comfort first: Always use diffused or bounced flash so it feels soft and doesn’t distract.

• Better quality: Flash helps reduce graininess in dark settings and keeps colors true to life.

• Brighter eyes: A touch of flash adds a natural sparkle to the eyes, making them look more alive and vibrant.

• Natural look: My goal is for the photos to look authentic, warm, and natural—often you won’t even notice I used flash.

In short, flash is just one of many tools I use to make sure photos look their absolute best in any situation.

As an important note, always check Venue rules: If a location doesn’t allow flash, respect those guidelines and rely on low-light techniques. 

It's hard to notice that I used a flash in this photo.